Announcing! The Green Building Academy 2018

We’re thrilled to announce Peter McIntosh will be co-facilitating Long Way Home’s inaugural Green Building Academy in Guatemala this year. Participants can expect a solid grounding and hands-on experience in green, sustainable building and construction practices, social development and a rich cultural immersion.  The Academy will take place in Comalapa, Guatemala, and will draw on the expertise of the Academy‘s instructors, who for 9 years have built an 18-building school using state-of-the-art green and sustainable technologies and methods.

The Green Building Academy provides a menu of unique educational options that are relevant to both professionals and students inside AND outside of the construction industry. Guided by best practices in green construction, the Academy is dedicated to educating individuals and organizations, in both theory and practical application, about sustainable design, planning, and building practices. Participants will connect to their environment, and develop increased consciousness & competence relating to sustainability, environmental & ecological balance, and ethical & respectful community development. The Academy equips participants with the knowledge, skills, and dispositions to apply their creativity to design and construction using sustainable, unconventional materials and low-impact methodologies with potential for off-grid implementation.

COURSE DETAILS: Continue reading

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First natural building course of 2016

Announcing our first natural building course for 2016! Our natural building course is comprehensive and covers a range of materials and techniques based on Peter McIntosh’s professional and personal experience working with these approaches and from having lived off-grid since 1999.

The course will be taking place at Wild Spirit Backpacker’s in Nature’s valley from 17 – 23 April. You will leave with the theoretical understanding and practical grounding of a range of techniques and materials, so that you are able to make the most appropriate decisions regarding materials and or sustainability once you are ready to begin your project.

Drop us an email to book your place and avoid disappointment.

Poster 04_2016 sml

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The reflections and observations of a sustainable practitioner on the recent International Union of Architects World Congress (UIA) in Durban

As a senior lecturer in the Architectural Technology department at the Cape Peninsula University of Technology I get the opportunity to write and present papers at conferences, congresses and symposiums, with the benefit to see what is happening in the field and to consider where my own work is situated and where it could be going. Last week I was privileged to attend and present at the International Union of Architects World Congress in Durban. Besides the wonderful weather, I got to experience being part of an international discussion on practice and education, attended by about 4500 people from around the globe.

In the words of the conference organizers, the theme was ‘OTHERWHERE – looking elsewhere for other ways of creating a better future. The subthemes were ‘resilience, ecology and values’. ‘Resilience‘ explored questions around ideas of emergence, poverty alleviation, and the spatial economy. The second subtheme of ecology sought to “acknowledge the role of the architect in a bigger, interlinked, and systemic network and encourage a longer term view in the design of the built environment”. The third subtheme, ‘values‘, explored approached to “practice in Africa with a feeling that the agency of external donors needs to be tempered to benefit local inhabitats – who are currently being excluded from their own self-determination”. These themes resonated with my own experience as an educator and someone that is passionate about natural building.

The underlying tone of the Congress was self-reflexive, and a lot of presenters questioned the role of the profession while almost demanding it to become more responsive to both social and climatic issues facing the planet. There was a call to move from the “starchitect” syndrome to a more huminatarian and appropriate technological approach. This call resonated strongly with the paper I presented there with Rudolf Perold entitled “Towards Entrepreneur-Activist Architectural Practice”. We started with this quote:

“For we may soon find that we have too many architects skilled at designing museums and mansions and too few able to work with indigent people and communities in need of basic housing, sanitation, and security” (Fisher 2008). 

One of the key note presentations was by Toyo Ito, winner of the Pritzker Prize in 2013. The form of the buildings presented could have one swooning, but the underlying tectonic principles of that form took so much steel and concrete that one cringes at the environmental effect. The formal ideas of most of the buildings were apparently inspired by nature and natural principles, for example, the way in which a tree grows or the bones in a human body connect. But that is where the analogy to the natural ended for me. Such a form executed in steel and concrete, in my opinion feels entirely inappropriate and becomes an empty albeit beautiful response.

But then there were also keynote presentations by the likes of Cameron Sinclair who started Architecture for Humanity in 1999 together with Kate Stohr, with a cellphone and laptop and one or two projects. Currently the organisation is involved in designing, developing, managing and financing the construction of a variety of projects in over 20 countries (Aaronson & Architecture for Humanity, 2012). Their modus operandi is to embed architects on site that volunteer and help restore or rebuild community facilities, often in the aftermath of disaster. What wonderful work they have been doing over the past decade or so!

Another personal highlight was from keynote speaker Francis Kéré who you probably know of if you are reading this blog. Francis Kéré came from a small village in Burkina Faso, studied in Germany, then returned to his own country to work in his own community. He went on to win the Aga Khan award for Architecture with his very first building! He does work similar to that of Architecture for Humanity, but he works mostly in African countries, almost exclusively with natural materials and has a deep understanding of local passive design strategies. It is worth reading the “about” page on the website, and browsing the projects that they have done and are involved in.

There were many “side shows” at the congress. I presented in two of these with my colleague Rudolf Perold. The first, was the Architectural Education Forum (AEF), a locally initiated forum which “critically discuss how to improve architectural educational practice here and now and to exchange relevant information. Its main focus is issues that are relevant to architectural education in Africa, especially sub-Saharan Africa, which includes global and regional concerns. Its membership consists mainly of teaching staff from schools of architecture from over Africa, but there has also been support and interest from other associations concerned with architectural education based on other continents” (Janse van Rensburg, A. 2014).

The presentation that followed ours in the AEF was by Professor Vasanth K Bhat from Bengaluru, Karnataka, India, where he is Dean at Acharya’s School of Architecture and has his own practice. He presented “A Case for Inclusion of Appropriate Building Technology and Sustainable Building Design in Undergraduate Curriculum in Developing Countries” and discussed the inclusion of local earth technologies into the undergraduate curriculum. Often architecture programs follow a very generic curriculum without specific local content and he is making a concerted effort to include locally relevant technologies.

Our second presentation was for the Global Studio. This studio focuses on work in and for communities. Again there was much discussion that resonated with our paper about the architect becoming a more active participant in society. We discussed the idea of “architectural professionals that have re-defined the manner in which they work, and for whom they work, specifically addressing informality and poverty in their practice. These professionals are changing from being predominantly pre-determined problem solvers into a problem identifiers or project initiators” (Cary & Public Architecture, 2010, p.xii). This change in work approach asks of the architect to become an entrepreneur, identifying the project and problem and then finding the funding to pay for both the professional services and the execution of project. A place has opened, locally and internationally, for this new kind of professional – one that works on the ground, close to the needs of the broader community”. (Voulgarelis and Perold, 2014)

In my opinion, UIA 2014 was all-and-all successful and gives me hope for the future of (earth) architecture in the world.

 

Sources

Aaronson, D., & Architecture for Humanity (Eds.). (2012). Design Like you Give a Damn (p. 335). New York, New York, USA: Abrams.

Fisher, T. (2008). Public-interest architecture: a needed and inevitable change. Berkeley Prize. Retrieved April 02, 2014, from http://www.berkeleyprize.org/endowment/essays-and-articles-on-the-social-art-of-architecture/tom-fisher-essay

Van Rensburg, A. (2014). Architectural Education Forum. (p.1). Internal discussion document. WITS. South Africa.

Voulgarelis, H. and Perold, R. (2014) Towards Entrepreneur-Activist Architectural Practice. International Union of Architects World Congress. Durban, South Africa.

 

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Natural Building in the Architectural Curriculum

The first time I made cob I was knee deep in trouble, there was no way of ever leaving this muddy business again. I simply love the smell and feel of wet earth being mixed. I guess it started when I lived in Prince Albert as a 5 year old and mixed “chocolate milk” in the empty-from-plants-but-not-from-soil flowerpots on our big stoep. My sister and I had to do it quietly and secretly, since my mom did not really appreciate us drinking the soil and water mixtures………….. (In that same garden we had plenty of chickens and ducks, figs and apricots, what a great place for a child to live.)

Currently, I try to impart my love of earth building to my students at the Cape Peninsula University of Technology (CPUT). If possible we have an actual physical experience of working with earth and at other times it might be more theoretical knowledge, but applied in design and technological projects. Studio projects that deal with earth technology have become an integral part of the education in our Architectural Technology Department.

What interests me now, are ways in which natural building methods are both taught in the architectural curriculum and expressed in a contemporary manner.

Within the architectural education realm, I love Ithuba Science Centre, which was designed and built by students of the Faculty of Architecture of the RWTH Aachen University.

leon krige 1

Design-build projects are of special interest to me and are defined within the architectural curriculum as “essentially the full-scale investigation of the built form. The typologies of projects are varied, but share the characteristic that it typically gives students the opportunity to engage in a project from design to actual construction” (Delport and Perold 2012).

The project embodies for me the essence required in an architectural student project. It is real, hands-on, design-build, incorporates natural building methods, contributes to a real need in a community and does all of this in an elegant architectural manner.

leon krige 2

The Ithuba Science centre is part of the Ithuba Skills College, which is in Montic just outside of Johannesburg. The College caters for students from disadvantaged backgrounds and teaches them “English and Natural Sciences, but also practical basic skills like bricklaying, carpentry, sewing or electrical fitting during a five-year training”. (Faculty of Architecture RWTH Aachen University 2014)

leon krige 3

The light steel frame of the Science Centre was erected first and it was then filled in with a straw/clay mixture, creating a highly insulated monolithic wall according to traditional German practices. The mixture was placed into formwork which was moved upward as the work progressed. The building has large roof overhangs to protect and shade the walls and the roof structure is separated from the walls to let hot air out. (Designboom 2013)

leon krige 4

The Departments of Building Typologies and of Structures and Structural Design of The Faculty of Architecture supervised the project as part of their design-build program. A full construction booklet is available as well as a short video of the construction.

Students thoroughly enjoy hands-on, design-build work and work with more enthusiasm than on traditional studio bound projects. (Sara 2006) Where this practical work has meaning in both environmental and social contexts, the learning becomes incredibly relevant.  The more this type of work is integrated within the architectural curriculum, the bigger influence education will have on future practices within the architectural and building industry.

References

Delport-Voulgarelis, H and Perold, R. (2012). Creating a New Curriculum. ARCH SA Journal of the South African Institute of Architects. Issue 58. (Nov/Des 2012). p. 50-51.

Designboom. (2013). s2arch and RWTH aachen university build a new school in south africa. [Online]. July 2013. Available from http://www.designboom.com/architecture/s2arch-and-rwth-aachen-university-build-a-new-school-in-south-africa/. [Accessed 24 Feb 2014].

Faculty of Architecture RWTH Aachen University. (2014). Student-constructured-projects Ithuba Science Centre. [Online]. August 2012. Available from http://arch.rwth-aachen.de/cms/Architektur/Wirtschaft/Projekte/~nvv/Selbstbauprojekte/lidx/1/ . [Accessed 24 Feb 2014].

Sara, R., 2006. Live Project Good Practice : A Guide for Live Projects, Available at: http://www.heacademy.ac.uk/assets/cebe/documents/resources/briefingguides/BriefingGuide_08.pdf.

All photographs by Leon Krige who granted permission for the use thereof.

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